#Midas xl 200 service manual full#

It was, and AFAIK still is a fine sounding example of the series.

Not even close.can you share whuddever drugs you've got with the rest of the class 'cause that must be some REALLY good stuff! Clip But at the end of the day I'd rather have a 'real' recording desk then some kludged together rig that's built around a live console.The 80B in question was rechipped (properly) and the master section and p/s were completely rebuilt. There's NO WAY it compares to an 80B unless the 80B was thrashed and needed to be rebuilt. Oh yeah.direct outs are pre-fader too! Thumbsup But at the end of the day I'd rather have a 'real' recording desk then some kludged together rig that's built around a live console. The EQ's more flexible, not quite as 'beefy' as the Venice (we had one of those at FOH) but overall, the desk is just layed out better & feels better to work on. But 'ya know, If I had to stick a new low to mid-price range live desk into a studio today I'd probably go with one of the upperend Allen & Heath boards like the uhhh.whuz the one with 8 busses & 10 sends? I recorded more then few shows off one of those at my old club since it was installed in monitorland and they all sounded pretty good for the most part. Sounds way better and the routings better but still way too weird for straightforward studio use IMHO. Everything from the sends (two are fixed pre-fader), limited bussing & a center section that's really setup for live sound & not a studio would make things kinda weird. The biggest killer for me in a studio setting is that the routing is all wrong on those Venice desks. Not even close.can you share whuddever drugs you've got with the rest of the class 'cause that must be some REALLY good stuff! Hope this helps!! I've made a few recordings with a Venice, using it with the direct outs for extra pres and as a monitor desk while tracking & yeah, they're good & all but I think the 'Soundcraft' comment is right on. It's a good desk for the price, but no one has tried to compare them to the new Toft or Oram desks, which are the 'new' competition in the under 5k range, like the Soundcraft Ghost has been for so long. You can mix to stereo our, two monitor outs (pre fader) two FX outs (post fader), and two Aux outs (pre or post, globally switched per aux master) so if you REALLY stretch it you could call it eight buss. Steve Remote has two as reference/monitoring consoles in one of his trucks, if you HAD to, it's a great little mix desk, but it's not made to be a recording desk.

#Midas xl 200 service manual full#

Better than a Soundcraft 200 or 600 (unless you have a full Jim William's upgrade) but they aren't GREAT. Fuuck Fixed high and low (boo) and decent swept mid. Decent EQ, like Soundcraft EQs before Harman. Better than a mackie, decent (not great, DECENT) preamp. It's the 3-5k Venice consoles that I see people using, because they are better than a Mackie. With the Verona, new is around 17k for 32 channels.so you could still buy a nice recording desk, maybe used, for that. Manage your page to keep your users updated View some of our premium pages:. Atari 8- Bit Computers: Frequently Asked Questions. Welcome to the .8bit newsgroup! Atari 8-Bit Computers Frequently Asked Questions List. The Venice or Verona.well, it's a big step down, but a significantly lower price point for the Venice. But for that much $$, you can get a lovely RECORDING console. The Heritage is an excellent class of console.